Avion en papier
Origami Instructions Free Online Diagram also shows the results graphically of moving away from the 'purest' form of Origami in each one of the eight directions. In some cases I possess marked the art as 'open-ended', for example paper-cuts.
By this I mean that we no longer have a shut system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable that it must be the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well set up for Origami.
Kent du Origami Star Of David Pre has done such work on Symmetric figures such as stars from which flowers can be collapsed. Irregular figures have made an appearance occasionally, however the most extreme form occur in Paper Wonder with Rolf Harris's models. Silhouettes have no restrictions in the Origami sense and are of course carefully related to paper trimming. In its simplest form cuts are made prior to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive thickness. The most recent point out of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very Bateau De Papier Origami early Japanese Origami.
Uchiyama is reported as acquiring a patent in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are packed with slitting to achieve ears or a tail or even legs. Perhaps one of the most famous examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to give enough points for the hip and legs. Rohm folded his Festival pony without cuts but the technique is then much more complex. Thus we have 2 motives for cutting appearing here; one to create new Faire Un Bateau En Papier Simple opportunities and the other to avoid the complexities of a model achieved only by folding.
In a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling That is now usual in animal folds to call for a final modelling particularly if foil has already been used and one can make certain of the materials remaining in place. A modern example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3D insists on any modelling following the folding The thought of wetting the paper appears to be Japanese in origin
was demonstrated by Yoshizawa at a Convention in Birmingham. Another method of moist moulding using paste in the preparation is talked about by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The folds tend to be smooth and that we are approaching sculpture rather than Origami.
Bateau en papier
Typically the associated arts are Weaving cloth and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The particular sheets of paper are folded together but usually opened at Un Bateau En Papier De 20m De Long Qui Flotte the finish to show the multi-layers usually with different shades. In flower folding and possible doll-making the multi-layer strategy is exploited for their own sake with little or no folding involved. Multi-Part Isao Honda (15) was probably the first to write techniques involving 2 separate sheets of papers each folded to symbolize some part of the animal and then brought together. The concept may well be traditional; if not in the manner Honda uses it - see for example the Pagoda in Paper Magic. Recently kits have came out for folding a dragon from a amount of potager of different sizes.
Comment faire un avion en papier
In the most extreme combos of water and document we are, naturally , in the world of papier-mache which is evidently an open-ended art. DecoratingThe most basic step from a single colour is one side coloured and one white or plain. A great offer of modern Origami uses this colour difference. The delightful example is Joan Homewood's Robin. We can use the texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which depend after deciding on the best pattern and cutting his material to get the colour exactly where he wants them. A more Le Petit Bateau De Papier Chanson restricted form of decoration occurs in Japanese papers which are already printed with a design suited to a unique model. The end of this process is evidently the decoration of the ultimate model and so into the decorative art proper which is open-ended. Lengthening Simply by stretching our square we obtain rectangles then bows and finally string.
Fleur en papier
The slicing out of holes and so on. to indicate eyes and so on is sometimes found in Japanese books and we are obviously coping with technique which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). The last step in the slitting or cutting is paper-cutting, some of the finest examples are probably from China and evidently here we have an open-ended Art. Supporting A way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its easiest form organic beef use glue, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or cards. One of the most unusual form of 'display mechanics' that I am knowledgeable about is by Toyoaki Kawai.